One tool, kept small on purpose.

Why we built it

Most photo fixes are one sentence long. "Cool the light." "Take the bin out of the corner." "Make it look like it was shot on film." The tools that can do those things weigh two gigabytes and take an afternoon to learn.

We wanted the sentence to be the interface. Upload, type, look, keep or try again. Everything else in the product exists to make that loop faster and to keep the face on the person you photographed.

So there is no layers panel, no brush engine, no node graph. If you need those, you already have an editor, and Scenedo is not trying to replace it. It sits between the camera roll and the real edit.

How we charge

You pay for credits, not for seats. A two-person studio that makes forty images a month should not pay the same as an agency making four thousand.

We do not hide the good models behind the top plan. Pro and Studio run the same six models, and the difference between them is volume, seats and queue position, which is what it actually costs us to serve.

What we are bad at

We are a small team. There is no phone number, support answers by email, and a new model can take us a week to wire up. When an upstream model is retired we tell you on the page that uses it, but we cannot keep it alive for you.